The Birth of Venus is a painting by Sandro Botticelli generally thought to have been made in the mid 1480s. It has long been suggested that Botticelli was commissioned to paint the work by the Medici family of Florence, Italy, specifically by Lorenzo di Pierfrancesco de’ Medici (1463-1503) under the influence of his cousin Lorenzo de’ Medici, a major patron of Botticelli.
However, no originating documents associated with the painting survive, and its first linkage with the Medici family is not recorded until several decades after the supposed date of its creation, namely in the 1550 edition of Vasari’s Lives. It depicts the goddess Venus, having emerged from the sea as an adult woman, arriving at the shore (which is related to the Venus Anadyomene motif). The painting is in the collection of the Uffizi Gallery in Florence.
Facts About Painting
1. THE BIRTH OF VENUS DEPICTS SEVERAL GODS.
Venus, goddess of love, stands demurely on the seashell, being blown to shore by Zephyr, god of the west wind. There, one of the Horae, goddesses of the seasons, is ready with a cape to clothe the newborn deity.
The fourth figure carried by Zephyr is meant to be either an Aura (nymphs of the wind) or Chloris, a nymph associated with spring and blossoming flowers like those flowing through the picture.
2. IT MAY CONTAIN VERY SUBTLE HIDDEN GENITALIA.
And no, we don’t mean what lies beneath Venus’s carefully placed palm. The shell she stands on may be meant to represent female genitalia, which creates a birthing scene that reflects Venus’s oceanic origins while connecting symbolically to human birth.
3. VENUS’S NUDITY WAS GROUNDBREAKING.
Christian inspiration was dominant in the art of the Middle Ages, so nudity was rarely portrayed. However, the emergence of humanism led to a renewed interest in the myths of ancient Rome, and with it a resurrection of nudes.
4. IT’S AN EARLY WORK ON CANVAS.
During this period of the Early Renaissance, painting on wood panels was all the rage. But canvas’ popularity was on the rise, especially in humid regions where wood tended to warp. Since canvas was cheaper than wood, its perceived status was a bit lower, so it was reserved for works that weren’t intended for grand public displays. The painting stands out as the first work on canvas in Tuscany.
5. THE BIRTH OF VENUS WAS MEANT TO HANG IN A BEDROOM.
The piece’s nudity takes on a more sensual tone when you know it was meant to hang over a marital bed. This locale and its daring depiction contributed to The Birth of Venus being hidden from public viewing for roughly 50 years.
6. THE BIRTH OF VENUS HAS A COMPANION PIECE.
Though it was completed four years before its sister, La Primavera can be viewed as a sort of sequel to The Birth of Venus. While the latter depicts Venus’s arrival in a world on the verge of blooming, the former shows the world in bloom around the now-clothed maternal figure. It’s said the pair of paintings were meant to communicate how “love triumphs over brutality.”
7. IT’S BIGGER THAN YOU’D THINK.
The Birth of Venus measures in at roughly 6 feet by 9 feet. It’s been called the “first large-scale canvas created in Renaissance Florence.”
8. THE BIRTH OF VENUS SURVIVED THE BONFIRE OF THE VANITIES.
On February 7, 1497, Dominican friar Girolamo Savonarola spurred Christians in Florence to erect a seven-story pyre to burn art and other baubles like mirrors, jewelry, dice and art that were believed to promote sin. Some historical reports claim Botticelli was one of these followers and threw a few of his own works on the fire. But The Birth of Venus was spared the flames.
9. ITS VARNISH BEGAN TO OBSCURE THE PAINTING.
Over centuries, coats of varnish meant to preserve the painting began to turn opaque, shielding some of Botticelli’s details and colors from view. But a careful restoration that concluded in 1987 gently stripped this layer away, revealing the soft and pearly colors the artist intended.
10. BOTTICELLI PULLED VENUS’S POSE FROM ANCIENT ART.
The goddess’ modest gesture to cover her private parts is one favored in the Capitoline Venus, a category of statue that specifically depicts Venus in just this way. The first of these works is believed to date back to the second or third century BCE.
11. IT MAY HAVE BEEN MEANT TO REPLACE A LOST MASTERPIECE.
Some sources believe The Birth of Venus was modeled after the long lost Venus Anadyomene, a painting by ancient Greek artist Apelles that was once described by Roman author Pliny the Elder and known only through his written account.
12. THE BIRTH OF VENUS MAY HAVE BEEN INSPIRED BY A POEM.
Other theories posit that this particular scene was based on a Homeric hymn published in Florence by Demetrios Chalkokondyles that reads:
“Of august gold-wreathed and beautiful
Aphrodite I shall sing to whose domain
belong the battlements of all sea-loved
Cyprus where, blown by the moist breath
of Zephyros, she was carried over the
waves of the resounding sea on soft foam.
The gold-filleted Horae happily welcomed
her and clothed her with heavenly raiment.”
But the more common interpretation is that its inspiration was a poem by Botticelli’s friend Agnolo Poliziano.
13. IT TOOK THE BIRTH OF VENUS CENTURIES TO FIND FAME.
During Botticelli’s life, his works were often overshadowed by the artists of the High Renaissance. But 400 years after The Birth of Venus’ completion, Botticellis began making their way into the collections of European museums. His pieces finally won esteem in the 19th century, with The Birth of Venus becoming his most revered work.
14. THE BIRTH OF VENUS IS A LANDMARK OF BEAUTY.
Beyond being a beloved example of Renaissance art, the painting has also become a marker by which other eras’ beauty norms are measured. Her pose has been co-opted by various modern models. And as recently as 2014, The Birth of Venus has been used as a tool to criticize modern beauty standards.
15. BOTTICELLI ASKED TO BE BURIED AT THE FEET OF HIS VENUS.
Not the painting, mind you. He wanted to lie eternally by its earthly inspiration, Simonetta Cattaneo de VespuccI. Called the most beautiful woman in Florence as well as the most beautiful woman of the Renaissance, Simonetta was the muse who inspired several of Botticelli’s works, including The Birth of Venus and La Primavera. When he died in 1510, Botticelli was put to rest near this married noblewoman, for whom it is speculated he harbored unrequited love.
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