Art & History

Painting Norway: Beloved [HR] artworks of Norway by Nikolai Astrup

artworks of Norway by Nikolai Astrup

Nikolai Astrup…

Nikolai Astrup is one of Norway’s most renowned and beloved artists, known for his wild and lush landscapes and depictions of traditional life in his home country. Now, for the first time ever, his work will be presented in a major exhibition in London at the Dulwich Picture Gallery.

Born in Bremanger, Nordfjord in 1880, Astrup’s family moved shortly thereafter to Ålhus in Jølster, where his father was a priest. His relationship with his father was marked at times by opposition and conflict, most likely because Nikolai could not quite accept the strict form of Christianity practiced at home. What’s more, his wish to become an artist went against his family’s expectations.

Astrup’s paintings can be seen as a serial treatment of the seasons, given how he depicts the constant and enduring aspects of existence; the little garden with fruit trees and the small vegetable patch, the lake, the familiar mountains, the forest and the fields. These he depicts under constantly changing atmospheric conditions – a drizzling autumn morning, a spring thaw, a cold winter day or a mild and soothing summer night.

One of the most renowned Norwegian artists, Astrup’s work transforms the rugged Norwegian landscape into a mythical, living entity. Exploring the luscious, colorful paintings and radical innovation in printmaking that defined the Norwegian artist’s career, the exhibition at the Dulwich Picture Gallery will bring over 90 oil paintings and prints, including works from private collections never exhibited before, to London. Find out more at www.dulwichpicturegallery.org.uk.

 

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Although Astrup settled in rural Norway, far from established art circles, he was not self-taught. He undertook several study trips and was familiar with contemporary Norwegian and European art. At 19 years old he began studying at Harriet Backer’s popular art school in Kristiania, Oslo. Later, Backer would speak of him as one of her most prominent pupils: “I allowed him to work in the direction he wanted, as I understood he was the true genius of the school.” Some years later Christian Krohg taught Astrup at the Academie Colarossi in Paris. Krohg also praised the young artist, saying: “When I speak of Mr. Nicolai Astrup as an artist, it cannot be the way an older artist speaks of a young artist as a “beginner”. Mr. Astrup is in no way a beginner even though he has been painting for a very short time. His unique talent has brought him past the first phase of development, a period where most people stay for at least ten years.”

Nikolai Astrup

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